The week before Diwali was intense. I volunteered to help with the condo lighting. It was an impromptu thing which I thought would be a breeze. But, I ended up spending five days yelling instructions from the ground to standing on shaky bamboo ladders, hanging onto tree limbs, rounding up the condo staff who were involved in all manner of daily errands to come help me put lights on branches, wrap strings of tiny bulbs around tree trunks and hang the made-in-China-lights at even lengths and create patterns that required discipline and a sense of aesthetics they were just not used to. My assistants were the firemen, plumbers, electricians and house-keeping staff that could be spared, and each day I had to train a new set. All in all it was an experience to remember- both annoying and enjoyable but, not all moments were quite as delightful as when the lights went on in their full splendour.
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The lights were not good quality which made the job at hand a rather frustrating one. Through the day we hung the lights with such care and perfection of length, height and design but when we switched them on as the sun dipped, they would light up as would our eyes in expectation, and then fuse. And in all that glowing splendour would be dark spots that were not supposed to be there. I just never quite got a sense of satisfaction when I looked at the whole picture, and this did not go down well with my innate desire for perfection.
But, when I zoomed in on the details, it was satisfying to see the Champa [Frangipani] tree trunks embraced by tiny blue bulbs and the laddis [strings] of white and yellow lights, cradled by her leaves. Or, for that matter the long line of Ficus hedge surrounding the garden, garlanded from its height of over seven feet, along with a neat row of blue lights lining the railing that belted the Ficus in.
But, when I zoomed in on the details, it was satisfying to see the Champa [Frangipani] tree trunks embraced by tiny blue bulbs and the laddis [strings] of white and yellow lights, cradled by her leaves. Or, for that matter the long line of Ficus hedge surrounding the garden, garlanded from its height of over seven feet, along with a neat row of blue lights lining the railing that belted the Ficus in.
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Those weeks leading up to Diwali week had been very steady. My daily routine was easily adhered to and therefore I found myself working from creating the vortex with Kantha to forming an ad hoc grid of sorts, using cross stitch matte. It seemed that order was coming into place. Those thoughts that had been processed through the fire, had been further cleansed with the vortex and were now entering a grid, and things were falling into place. Or so I thought....
This year at Diwali there were the usual parties and also more family do’s than usual. Siblings and cousins and nephews with fiancés were visiting from all over the world. I was out four evenings in a row, in addition to the lighting affair and buying of gifts and mithai for everyone, which is way too much externalizing of energy for me. I like my time alone, but with Diwali, and all that it brought this year, this was not an option. I mean, the last thing I want to be doing is sitting alone stitching, when there is so much going on around me.
I keep looking at the fabric, feeling uncertain about what to do with it now. This transition from an utterly busy week with so much energy being given outwards; desperately wanting to return to that space of calm collectedness but just not getting there, is very frustrating. There is so much contemplation, so much to process and put into perspective that the transitory phase seems like a lot of time is lost in contemplation!
At this point, about two days after all the festivities are over and there is some semblance of order returning to life, there’s a kind of screech in my head that I cannot quite contain and it seems to be coming out of my ears. [I can certainly hear it in the tension and tenor of my voice when I have to deal with people who are just not performing up to the mark] To top it all Mahipal has also gone on leave which means that I am short-staffed at home and also without a driver. And the maid is new and so raw, that much as I am grateful to have some help, I am tearing my hair out at the moment [to put it mildly].
I have this intense desire to put the fabric back on the hoop, stretch it taut and then cut through the spaces between the parallel circular threaded lines of Kantha. Those translucent spaces – the very idea of space when my head is so crowded is irksome. I want to take a pair of scissors and rip right through them, then take apart the warp and weft – shred them. It would feel like I am not alone in this frenzy and I think that somewhere that is an important place to be in, where I don’t feel alone in being disconnected from my sublime self.
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