Guest Post by American Fibre Artist Elaine McBride
Gopika, I’m delighted to contribute to your Stitch Journal - to the cause of stitch. I appreciate the forum and also the inputs from your blog followers as to your own process. Reading your blog inspires me to focus and consider my own process.
Through my own carelessness of breaking my left wrist (I'm left handed) at the end of June I was forced to take a leave of absence from my latest project. I'm now sufficiently healed to stitch again and I'll provide you some images of this piece from the outset to its current state of "hmmmm...now I need to focus on the black background...."
I have attached images of two pieces. The first one is called "Guardians" and is currently on exhibit at "Small Expressions 2013" sponsored by the Weavers Guild of America. The rest of the images concern the current piece and show the initial object (doll), drawing transferred to fabric and the stitching thus far. My daughter's boyfriend said it was sort of "disturbing" so I think that's good! Not that I'm trying to be provocative but I have in the past had someone tell me my work was "cute" so I thought I should re-examine my imagery, intent and the execution of my work as well.
(As an aside, if you look closely, you can see cat hair on the work in progress. Morris has taken up residence in my studio so the cat hair is part and parcel of my work until I use scotch tape as the final step...).
Re-reading your email you inquired as to what embroidery does for my soul. I'm not sure that I can quantify its importance but I can say that the months this summer of healing my fractured radius and understanding that I might not be able to draw or stitch at the level pre accident was depressing. I could not imagine my life without my hoop and a "project." I pondered that I might have to resort to reading the stockpile of books as an alternative! Fortunately I'm almost as good as new. My wrist is still a little swollen and I have night-time carpel tunnel issues but with physical therapy I have come a long way.
Since I have been regularly stitching since my grad school days circa 1978, it defines part of who I am. I sort of take it for granted that I will always be stitching, have a callous on my finger and will be cranking out a piece here and there. My output is small but I think I enjoy the slow evolution of the image from first concept to drawing to stitch and floss colour choice.
I hope this isn't overly wordy or OMG pretentious!! This is me on a Sunday morning in my jammies and my first cup of coffee! I'm excited to share my thoughts and to see where your own work takes you.
I hope this isn't overly wordy or OMG pretentious!! This is me on a Sunday morning in my jammies and my first cup of coffee! I'm excited to share my thoughts and to see where your own work takes you.
PS: Tonight driving home from work there was a gorgeous sunset with my colours of blue, brilliant orange, yellow and grey. I was hoping to get to an exit to take a picture but, darn it, by the time I get through the traffic mess, it was gone - so fleeting. I always try to capture those colours where possible to draw upon for inspiration. This time of year - when the air is dry, clear and crisp - makes for the most beautiful sunsets one can imagine. Well, my capturing it was not meant to be....
Elaine McBride is a Fibre Artist [Master of Fine Arts in textiles from The University of Massachusetts at Dartmouth. She holds a Bachelor of Arts in Art History (Eastern Illinois University) and a Master of Arts in Textile Design (Northern Illinois University)] She lives in Bridgewater Massachusetts, U.S.A with her husband Tom and two cats.
Drawn to the intimacy and portability of embroidery [I can curl up and stitch almost anywhere including my studio, the car (as a passenger of course!) or the couch], she seeks to interpret through embroidery – expressing those little nagging pieces of information that have nowhere else to go. Adding that the meditative aspect of stitching provides respite from daily stress.